Greg Gossel

“Happy Endings” debuts a visual repertoire of appropriated pop culture imagery. Within a contemporary context, Gossel comments on the collective conscious using  geometric and typographic elements. He explores an array of media involving silkscreen, experimental Xerox copy and transfers, as well as various found billboard scraps and signage. The raw nature of the collection builds upon the surfaces with rich depth, paint, print and collage. Ranging from pulp novels, romance comics, political references, and fallen icons of the 20th century.